Cr\u00e9atrice mode upcycling, n\u00e9e d\u2019un p\u00e8re musicien et d\u2019une m\u00e8re visc\u00e9ralement attach\u00e9e \u00e0 la mode, j\u2019ai grandi dans un environnement o\u00f9 la cr\u00e9ation n\u2019\u00e9tait pas un d\u00e9cor mais une fa\u00e7on de vivre, de se tenir au monde. Tr\u00e8s t\u00f4t, j\u2019ai compris que s\u2019exprimer pouvait passer par d\u2019autres langages que les mots, par le rythme, l\u2019attitude, le style, cette mani\u00e8re de dire sans expliquer.<\/p>\n\n\n\n
I've been a collector since childhood. It's as much about instinct as it is about heritage. Searching, digging, recognizing a piece at first glance, sensing its history. Vintage has never been a trend for me, but a quest, a memory, a continuity. With my grandmother, working with textiles was already part of everyday life: sewing, embroidering, making, dressing, like simple and fundamental rituals. In my room, I would sketch clothes before I even imagined it could become a path.<\/p>\n\n\n\n
In adolescence, clothing becomes a form of self-expression. My style is constantly changing, asserting itself, evolving. I'm often told that I never have the same look, that everything suits me. It's not about seeking a specific image, but an instinctive way of existing, of embracing multiple identities without ever becoming fixed.<\/p>\n\n\n\n
Then hip-hop culture emerged as a foundation. An attitude above all. A freedom. A way of creating without waiting for validation, of repurposing, assembling, working with what's available. As a self-taught artist, I explored other forms: painting, graffiti, photography, piano, always guided by this same visceral need to compose, to tell stories without over-explaining. Clothing, meanwhile, remained a subtle undercurrent, present, evident, patient.<\/p>\n\n\n\n
In 2014, buying a sewing machine marked a turning point. A friend taught me the basics, and everything fell into place. It wasn't a change of direction, but the natural continuation of a journey built on freedom, sharing knowledge, and street culture.<\/p>\n\n\n\n
Today, I create from existing garments, blending hip-hop heritage, the power of vintage, and contrasts in volume and materials. Unique pieces, designed for those who want to feel aligned, free, and assertive. Clothes that don't seek to smooth over, but to reveal, because they bear traces, tensions, and a history, just like the people who wear them.<\/p>\n\n\n\n
I don't create to follow a trend or to please everyone, but for those who move forward at their own pace. My work is an extension of this freedom, a way to remain true to myself and to offer pieces to those who don't conform, to those who prefer to recognize themselves rather than disguise themselves.<\/p>\n\n\n\n
Marija Stoja.<\/p>\n\n
D\u00e9couvrez \u00e9galement mon histoire de cr\u00e9atrice<\/a> dans la boutique Marija Stoja. Pour en savoir plus sur l’mode upcycling<\/a> et la mode responsable, explorez notre univers cr\u00e9atif.<\/p>","protected":false},"excerpt":{"rendered":" Cr\u00e9atrice Mode Upcycling : La Libert\u00e9 Comme Philosophie Cr\u00e9atrice mode upcycling, n\u00e9e d\u2019un p\u00e8re musicien et d\u2019une m\u00e8re visc\u00e9ralement attach\u00e9e \u00e0 la mode, j\u2019ai grandi dans un environnement o\u00f9 la cr\u00e9ation n\u2019\u00e9tait pas un d\u00e9cor mais une fa\u00e7on de vivre, de se tenir au monde. Tr\u00e8s t\u00f4t, j\u2019ai compris que s\u2019exprimer pouvait passer par d\u2019autres […]<\/p>\n","protected":false},"author":2,"featured_media":1229,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"acf":[],"yoast_head":"\n